Friday, September 25, 2009

Nero 7 Ultra Edicion Wma Plug

audiovisual language and narrative-semiotic semiotics

When we speak of language we refer to a series of signs that can adequately address a particular coded communication field. The image is a model that replaces reality by iconic elements (color, texture line.) also presents a high degree of expressiveness and a low level of abstraction.
therefore the media are mechanical, technical, electronic, that record, play sound or visual messages that are used separately or together to present knowledge, providing acquisition, reproduce or modify certain behaviors.
In this way the foreground is interpreted as the point of view of an observer who accesses the expression and the expression of character. The darkening of the screen represents the passage of time, the possibility of observing two parallel actions taking place in different scenarios. Units of measurement

audiovisual message.
3 units have been established in an audiovisual speech measures the sequence, and the plane scene.
The sequence audiovisual narrative unit which raises and concludes a dramatic situation. Can develop in a single stage, including one or more scenes or can consist of various scenarios, can also develop from start to finish or can be mixed with other sequences.
The scene: it develops in a single scenario and by itself does not have full dramatic sense.
Plane: The smallest unit of meaning in the visual narrative from which we build scenes and sequences.
The shot is a term used to describe image capture by the camera. The shots are selected by editing
Properties
film plane.
These included 3 factors: photographic aspects, the frame of the plane and the length of the plane.
The contrast between colors, including black and white determine a type of image appearance. The usually modify audiovisual these parameters to achieve certain effects, to attract the viewer's interest.

contrasts of color and light.
Contrast refers to the difference between the area clearer and more dark background. In movies there are areas of high contrast bright white, pure black and gray scarce. By contrast can cause the viewer to the most important parts of the image. Using a harsh light on the texture values \u200b\u200breduces the detail and the images are more flat. Get soft light volume and definition. The use of space gets delicate high tones and bass playing mysterious images.

lenses: Depth of field and focus.
called depth of field to the range of distance between the camera and the object into which objects can be photographed in sharp focus.
The short focal length lenses have a depth of field greater than the long focal length or telephoto lens.

Framing.
We define the plane, the fact of choosing a camera position makes a difference in the frame of the image and how we perceive the fact filmed. It can affect the image using: the size and shape, the way the frame controls the distance, angle and height. The way the frame can move relative to the staging.

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